The Sea and the Wind
There
is no light, and no quiet;
some
areas are smaller than others; a shout
is not
heard at once,
but
makes a way in leisure to your ear,
and in
a moment of leisure you hear it,
with
the sound of your voice.
I do
not know clearly what it is,
but now
in the lime dusk I write about it,
enveloped
like time in a larger facsimile.
And
soon it will be louder,
until
there will be no further need for notes,
or even
for an end to it, having multiplied as children
within
their boundaries of sensitive particles,
in
generations to languish in the respective arms of civilizations,
coming
of age in China, ancient Greece, or the fabled Levant —
French
for getting up, going to the bathroom
and
back to bed, beset with Parisian dreams,
adrift
like islands amidst our American ones conceived in English,
all of
them together irrigating the wide basin of simple life.
Children
learn to deal with the local merchants,
and
become used to it;
they go
outside and give themselves up to it,
in
series of events that rival an eclipse of the sun;
they go
alone or with a guide far off in the night,
passing
our monuments and tombs
which
reflect their obviously transitory state.
Children
eat too much, too many cakes and too much candy;
they
have vacations, drive to the mountains and beaches
and
come back; travel through forests and over boulevards,
until
finally there are the continents, the oceans,
and the
vastnesses of outer space
to make
up the eyes’ foreign vision.
In the
meantime they find flowers together, fences, stems,
marble,
exalted feelings, and ornate cornices;
there
are excursions to museums, pursuing
one
another down corridors, grapes, underbrush, memories,
and
Mozart concerti among the dominant points of interest,
and a
gabled roof, a swooping hawk, the silver flash of a trout,
dramatic
but nonetheless minor points,
rejoining
always one’s generation at the elevator,
or elevation, to the combined hallucination and dream.
1971
from
The History of the Invitation: New & Selected Poems 1963 - 2000